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k a m a t e k a o r aa new zealand journal of poetry and poetics |
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issue 4, september 2007 | ||||||||||||||||
From the archive: Alan Brunton’s Notebook 1970-1980 The Brunton Rodwell Papers comprise 24 linear metres of material from the archives of Red Mole Enterprises as well as the accumulated manuscripts and audiovisual record of Alan Brunton and Sally Rodwell’s history as producers of poetry, theatre, books and film from 1968 to 2006. One of the items that crosses most of the territory covered by Alan and Sally themselves is an a-chronological scrapbook entitled ‘Notebook 1970-1980’ into which has been pasted an assortment of ephemera: bus, train and ferry tickets; receipts for accommodation, meals, books, crafts, visas, postage and currency transfers; timetables, programmes, flyers, posters, labels, banknotes, bumper stickers and matchbox lids; business cards, bookmarks, clippings, photographs, a child’s painting and a speeding ticket. Hindi sits alongside Chinese, Greek, Malay, Dutch, Thai, French, Laotian, Spanish, Bahasa Indonesian and English. Each A3 page is laid out with care for compositional balance and the jumps of attention its randomised contents will generate. The documentary evidence of ten years on the road is as precise and as fragmentary as any other form of memory capture. Alan Brunton, who compiled the 60 pages, acknowledged their effect as planar history when he wrote the following poem and sent it to the now-defunct Zoetropes website in 1999 as a contribution to the series of millennial lists being assembled at that time. It was published again in 2002 as #91 of the long poem Fq:
Everything in the list is somewhere in the scrapbook but as to which place failed to produce a poem – we can only guess. The Brunton Rodwell Papers are on temporary deposit at the University of Auckland Library’s Special Collections, where they are being sorted and inventoried. A selection of digitised images from ‘Notebook 1970-1980’ is presented here with the permission of Ruby Rodwell Brunton to accompany the three essays on Alan Brunton’s work which follow.
Michele Leggott
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